{"id":638,"date":"2022-10-28T13:23:07","date_gmt":"2022-10-28T18:23:07","guid":{"rendered":"https:\/\/mundosonoro.org\/?page_id=638"},"modified":"2026-09-12T16:58:31","modified_gmt":"2026-09-12T21:58:31","slug":"india-y-lejano-oriente-las-culturas-milenarias","status":"publish","type":"page","link":"https:\/\/mundosonoro.org\/?page_id=638","title":{"rendered":"SALA 3 OR\u00cdGENES: SONIDOS DE \u00c1FRICA Y EL MEDITERR\u00c1NEO"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La m\u00fasica de \u00c1frica y el Mediterr\u00e1neo se caracteriza por una profunda conexi\u00f3n con la tradici\u00f3n oral, el ritmo y la interacci\u00f3n comunitaria. En \u00c1frica, los sonidos son ricos en polirritmias, donde las percusiones juegan un papel central. Instrumentos como el <em>djembe<\/em>, el <em>balaf\u00f3n<\/em> y el <em>ngoni<\/em> son emblem\u00e1ticos de distintas regiones, produciendo sonidos que transmiten emociones colectivas. En la cuenca mediterr\u00e1nea, la m\u00fasica fusiona influencias de culturas \u00e1rabes, europeas y africanas, con una marcada presencia de melod\u00edas modales y el uso de instrumentos como el la\u00fad, la darbuka y la zurna. Ambas tradiciones tienen una relaci\u00f3n profunda con la identidad cultural y la memoria colectiva, y su m\u00fasica refleja una continua transformaci\u00f3n influenciada por los contactos intercontinentales.<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"980\" height=\"449\" src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/cropped-Sala-3-Panoramica_by_Stellarmedia-scaled-1.jpeg\" alt=\"\" class=\"wp-image-1411\" srcset=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/cropped-Sala-3-Panoramica_by_Stellarmedia-scaled-1.jpeg 980w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/cropped-Sala-3-Panoramica_by_Stellarmedia-scaled-1-300x137.jpeg 300w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/cropped-Sala-3-Panoramica_by_Stellarmedia-scaled-1-768x352.jpeg 768w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/cropped-Sala-3-Panoramica_by_Stellarmedia-scaled-1-18x8.jpeg 18w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/cropped-Sala-3-Panoramica_by_Stellarmedia-scaled-1-654x300.jpeg 654w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Instrumentos: &nbsp;Sistro \/ Kora \/ Kayamba \/ Darbuka \/ Djembe\/ Sansa \/ Djembe \/ Shennai \/ Gunibri \/ Mijwiz \/ Zurna \/ Oud \/ Rabab&nbsp; \/ Saz \/ Kemence \/ Sagats \/ Daff \/ Rik&nbsp; \/ tambor-Dondo \/ Khen \/ Tambor-Tonga \/ Ektara \/ Rabab \/ didgeridoo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esta sala consta de dos secciones correspondientes al Magreb Musical por una parte , y \u00c1frica Subsahariana y Sonora. Cada una de ellas representa los principales instrumentos musicales de sus etnias. Acceda a las susecciones correspondientes<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La m\u00fasica de \u00c1frica y el Mediterr\u00e1neo se caracteriza por una profunda conexi\u00f3n con la tradici\u00f3n oral, el ritmo y la interacci\u00f3n comunitaria. En \u00c1frica, los sonidos son ricos en&hellip;<\/p>\n","protected":false},"author":1,"featured_media":1411,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-638","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages\/638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=638"}],"version-history":[{"count":15,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages\/638\/revisions"}],"predecessor-version":[{"id":1898,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages\/638\/revisions\/1898"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/media\/1411"}],"wp:attachment":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}