{"id":658,"date":"2022-10-28T13:37:21","date_gmt":"2022-10-28T18:37:21","guid":{"rendered":"https:\/\/mundosonoro.org\/?page_id=658"},"modified":"2025-03-06T10:51:27","modified_gmt":"2025-03-06T15:51:27","slug":"asia-insular-sumatra-australia-china","status":"publish","type":"page","link":"https:\/\/mundosonoro.org\/?page_id=658","title":{"rendered":"SALA 5 ASIA Y ORIENTE: LOS SONIDOS ANCESTRALES"},"content":{"rendered":"\n<p>SALA 5 ASIA Y ORIENTE: LOS SONIDOS ANCESTRALESLa m\u00fasica asi\u00e1tica y oriental es un patrimonio de la humanidad caracterizado por su diversidad, complejidad y espiritualidad. M\u00e1s all\u00e1 de la t\u00e9cnica, se enfoca en la conexi\u00f3n emocional con el universo y la naturaleza, utilizando sistemas mel\u00f3dicos como el raga y el maqam. Los instrumentos tradicionales, como el shamisen japon\u00e9s y el sitar indio, reflejan las tradiciones culturales y filos\u00f3ficas locales. La improvisaci\u00f3n juega un papel central, resaltando la relaci\u00f3n entre el m\u00fasico y su entorno. Esta m\u00fasica sigue siendo un veh\u00edculo de identidad y sabidur\u00eda ancestral, profundamente conectada con las pr\u00e1cticas espirituales y sociales.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/Sala_Asia-1024x768.jpg\" alt=\"\" class=\"wp-image-1406\" style=\"width:561px;height:auto\" srcset=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/Sala_Asia-1024x768.jpg 1024w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/Sala_Asia-300x225.jpg 300w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/Sala_Asia-768x576.jpg 768w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/Sala_Asia-1536x1152.jpg 1536w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/Sala_Asia-16x12.jpg 16w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/02\/Sala_Asia.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2023\/07\/DUNGSHENG-1024x576.jpeg\" alt=\"\" class=\"wp-image-790\" srcset=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2023\/07\/DUNGSHENG-1024x576.jpeg 1024w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2023\/07\/DUNGSHENG-300x169.jpeg 300w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2023\/07\/DUNGSHENG-768x432.jpeg 768w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2023\/07\/DUNGSHENG-18x10.jpeg 18w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2023\/07\/DUNGSHENG.jpeg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-audio\"><audio  controls src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2022\/10\/dungsheng.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/hasapi-espanol-1024x576.jpg\" alt=\"\" class=\"wp-image-1554\" srcset=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/hasapi-espanol-1024x576.jpg 1024w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/hasapi-espanol-300x169.jpg 300w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/hasapi-espanol-768x432.jpg 768w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/hasapi-espanol-18x10.jpg 18w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/hasapi-espanol.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio  data-artist=\"Nelly Andon\" data-title=\"Hasapi Batak, The amazing instrument\" controls src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/Hasapi.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/121-Baglama-espanol-1024x576.jpg\" alt=\"\" class=\"wp-image-1555\" srcset=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/121-Baglama-espanol-1024x576.jpg 1024w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/121-Baglama-espanol-300x169.jpg 300w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/121-Baglama-espanol-768x432.jpg 768w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/121-Baglama-espanol-18x10.jpg 18w, https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/121-Baglama-espanol.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio  data-artist=\"Muzik Okulu\" data-title=\"Baglama Taksim\/ A\u00e7\u0131\u015f - Gonen Molla\" controls src=\"https:\/\/mundosonoro.org\/wp-content\/uploads\/2025\/03\/Baglama.mp3\"><\/audio><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>SALA 5 ASIA Y ORIENTE: LOS SONIDOS ANCESTRALESLa m\u00fasica asi\u00e1tica y oriental es un patrimonio de la humanidad caracterizado por su diversidad, complejidad y espiritualidad. M\u00e1s all\u00e1 de la t\u00e9cnica,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":1541,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-658","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages\/658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=658"}],"version-history":[{"count":10,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages\/658\/revisions"}],"predecessor-version":[{"id":1556,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/pages\/658\/revisions\/1556"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mundosonoro.org\/index.php?rest_route=\/wp\/v2\/media\/1541"}],"wp:attachment":[{"href":"https:\/\/mundosonoro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}